Injustice for Justice an Analysis on Equity in the the...

Justice is the pursuit of righteousness and moral good standing within an individual or a group. Shakespeare, however, gives new perspective to this idea of justice in his work, The Tempest. Shakespeare critiques justice and portrays it in way in which justice is defined as the rule of the majority, and governed by the person with most power. Through the actions of the main character, Prospero; this new viewpoint of both justice and mercy emerges. Prospero, once the Duke of Milan, seeks revenge for the usurpation of his throne by his brother. In Act One Scene Two, we see Prospero admit he creates a storm in order to shipwreck his enemies vessels. Prosperos means through which he seeks justice for himself involve conniving, manipulating†¦show more content†¦Ariel repeatedely attempts to seek justice and freedom from Prospero when he states: Is there more toil? Since thou dost give me pains, Let me remember thee what thou hast promised, Which is not yet performed me.(1.2 243-2 45) Ariel is Prosperos servant, yet he is also his assisting companion. Ariel voluntarily does Prosperos work. He is loyal and yet Prospero sees him as a means to an end and manipulates Ariels willingness. His manipulation is seen where he affirms: Dost thou forget, from what a torment I did free thee? (1.2. 383-383) Prospero’s actions are contradictory. This exemplifies the idea that justice in the Tempest is primarily depicted as what is best for Prospero. Prosperos relationship with Caliban differs from that of Prospero and Ariels. Prospero does not view Caliban as a being who could be his equal. He is blinded by his prejudice against Calibans appearance and manners. Caliban is portrayed in a negative light. He can be seen as the depiction of the victims of colonial expansion. Although Prospero seeks this righteousness, he both mistreats and insults Caliban, who ultimately attempts to kill Prospero. In comparison to Ariel who acts only when commanded by Prospero, Caliban is w ild. He refuses to be colonized and tamed. This can be taken as a reference by Shakespeare towards those who wereShow MoreRelatedLegal Methods4881 Words   |  20 Pagesappropriate weight that should be accorded to different sources of law. SOURCES OF CLASSIFICATION OF LAW Means the origin from which human conduct comes into existence and derives legal forms. TERMS TO DEFINE AS SOURCES OF LAW 1. Common Law 2. Equity 3. Customary Law 4. Religion 5. Criminal Law 6. Civil Law 7. International Law 1) COMMON LAW (also known as LAW OF PRECEDENTS) * Common Law if a legal system that is largely formed by the decisions previously made byRead MoreMarketing Mistakes and Successes175322 Words   |  702 Pagesfollowing classification of cases by subject matter to be helpful. I thank those of you who made this and other suggestions. Classification of Cases by Major Marketing Topics Topics Most Relevant Cases Marketing Research and Consumer Analysis Coca-Cola, Disney, McDonald’s, Google, Starbucks Product Starbucks, Nike, Coke/Pepsi, McDonald’s, Maytag, Dell, Hewlett-Packard, Newell Rubbermaid, DaimlerChrysler, Kmart/Sears, Harley-Davidson, Boeing/Airbus, Merck, Boston Beer, Firestone/Ford

Othello, By William Shakespeare - 1264 Words

â€Å"Honest† Iago In the play Othello by William Shakespeare, Iago manipulates other characters in an iniquitous way causing commotion and destruction in all of their lives. He uses malicious tactics to negatively affect faultless characters who have done nothing to intentionally harm him. In Shakespeare’s Othello, Iago is a character shaped by jealousy and hunger for power. He is ruthless and immoral, and manipulates nearly all the characters in the play in order to get what he wants. Throughout the play, Iago is motivated by his deep hatred of Othello, and will do whatever he can to undermine Othello and destroy his marriage and reputation. Iago knows that Venetians are mistrustful of Moors, and uses general racism towards Moors to attack Othello in any way he can. He knows that Desdemona’s father, Brabantio, is racist towards Moors and would not approve of Othello’s marriage to his daughter. He tells Brabantio, who does not know of the marriage: â€Å"You have lost half y our soul. Even now, now, very now, an old black ram is tupping your white ewe. Arise, arise!† (1.1.96-98). Iago wants revenge on Othello, and he is willing to stoop to the lowest possible level to get that revenge. He knows that by highlighting Othello’s race, he can provoke Brabantio to hate Othello, so he reveals Othello and Desdemona’s secret in this context, and Brabantio immediately vows to kill Othello. He also evokes images that are sexual and animalistic in nature by referring to Othello as a ramShow MoreRelatedOthello, By William Shakespeare957 Words   |  4 Pagesinnocent person kills himself while not knowing the truth. The best example of that would be the play Othello by the great William Shakespeare. As little as a handkerchief could make a difference if it is a symbol for something. In the play Othello by Shakespeare, handkerchief is first introduced by Othello to his beautiful mistress, Desdemona, as a sign of their love. At the end of the pla y what gets Othello to take extreme measures by the location of the handkerchief. As the symbol of the handkerchiefRead MoreOthello, By William Shakespeare1599 Words   |  7 Pages William Shakespeare’s 16th century play Othello is a duplicitous and fraudulent tale set alternatingly between Venice in act 1, and the island of Cyprus thereafter. The play follows the scandalous marriage between protagonist Othello, a Christian moore and the general of the army of Venice, and Desdemona, a respected and intelligent woman who also happens to be the daughter of the Venetian Senator Brabantio. Shakespeare undoubtedly positions the marriage to be viewed as heroic and noble, despiteRead MoreOthello, By William Shakespeare1218 Words   |  5 PagesIn a historical time period where emphasis was shifting from religion to race and ethnicity, key indicators of differences that perpetuated into racial prejudice and racial ideologies are evident in Othello by William Shakespeare. Although racism was not fully formed at this moment in history, Othello can be interpreted as a representation and an exploration of this shift in ideology. In the past, before this change to ward racial differences, religion was the major segretory factor in signifyingRead MoreOthello, By William Shakespeare894 Words   |  4 Pagesthose that which occurred in Othello written by William Shakespeare. Throughout the play Othello, we see the struggles of a marriage that is not accepted by their society. Othello is a extremely cherished black general living in a primarily white community. The play begins with Othello secretly becoming married to a white woman named Desdemona. This reasons others who are white to become angry and excuse to dislike this black man further more than they already do. Othello is a downward spiral from loveRead MoreOthello by William Shakespeare790 Words   |  3 PagesThroughout Othello by William Shakespeare, Othello makes numerous poor decisions due to his jealousy. Hitting Desdemona, trusting Iago, and killing Desdemona are among a few of the poor decisions that he makes. The word jealous can be defined as feeling or showing suspicion of som eones unfaithfulness in a relationship. Othello feels suspicious of Desdemona’s and Cassio’s relationship because of the lies that Iago tells him. Many people try to tell Othello the truth but he only believes the wordsRead MoreOthello, By William Shakespeare1923 Words   |  8 Pagesdissatisfaction or complication is shown. Firstly in Othello love is presented as ephemeral and transient while atonement love is presented as unrequited and finally in cat on a hot tin roof love is presented as painful and troublesome due to unreciprocated feelings. The tragic plot of Othello hinges on the potential of the villain, Iago, to deceive other characters, above all Roderigo and Othello, through encouraging them to misinterpret what they see. Othello is prone to Iago s ploys seeing that he himselfRead MoreOthello, By William Shakespeare941 Words   |  4 Pageswas Williams Shakespeare’s play Othello which depicts the tragedy of Othello, a Morris Captain. What is different about Shakespeare play is that the tragic hero is the black Othello and the villain a white Iago. Therefore, Shakespeare depiction of Othello as a tragic character and Iago as a villain, challenges Elizabethan’s stereotypes regarding individuals of African descent. Shakespeare challenges the stereotypical â€Å"type –casting of the black man† in Elizabethan society by depicting Othello asRead MoreOthello, By William Shakespeare1152 Words   |  5 Pages‘Othello’ was a tragedy of incomprehension at the deepest level of human dealings as no one in the play came to an understanding of himself or any of the surrounding characters. The play ‘Othello’ by William Shakespeare focused on tragedy through the anguish of the main character ‘Othello’ which lead to the suffering and death of numerous characters including himself. Appearance Vs. Reality challenged human dealings within the play ‘Othello’ as no-one came to see anyone’s true self and no-one seesRead MoreOthello, By William Shakespeare1178 Words   |  5 Pagesprofitable in condition of good and immorality. Othello is presented as good and Iago as evil, but Iago and Othello’s relationship also shares a distrust of their wives. The overall logical argument is based on love, jealousy and betrayal between two lovers that ultimately leads to their separation because of Iago’s evil plan. I am using this article to agree with Berry s view on how Iago separates two lovers just so he can take retaliation on Othello by manipulating everyone to unmasking their trueRead MoreOthello, By William Shakespeare1825 Words   |  8 PagesWilliam Shakespeare’s plays transcends time and is renowned for their captivating plots and complex characters. Othello by William Shakespeare is a tragedy play that portrays major themes such as racism, manipulation, and jealousy just to name a few. Throughout the whole play, these themes are represented through the conniving character from the play, Iago. Out of all the plays Shakespeare has written, Iago is believed to be the most complex villain of all times. During the play, Othello, a black

Flight In Song Of Solomon Essay Example For Students

Flight In Song Of Solomon Essay Song of Solomon Song of Soloman:A Search for a BeginningO Sugarman done fly awaySugarman done goneSugarman cut across the skySugarman gone home(6)1Milkman was born to fly.Perhaps not!Maybe, he was just doomed to a life of flight.Toni Morrison seemingly presents her readers a choice.Milkman is born under a paradoxical cloud.His life seems to be destined for controversy.Toni Morrison eventually leaves the reader with a choose your own ending configuration.As in Beloved, Morrisons unique style of ending a novel with no finalization, only enhances the content and tickles the imagination. Evidence of the influence of Zora Neale Hurston is sprinkled liberally throughout the story.In addition to folklore and mythology, Song of Solomon is also rife with the cold, hard facts of reality.Did Milkman actually become airborne or was he merely a man, consistently trying to escape reality?Toni Morrisons, Song of Solomon, was inspired in part, by All Gods Chillun Had Wings (Andrews et al 103).Accord ing to this folk tale, at one time all Africans could fly.Through transgressions, they lost the ability of flight. On occasion, someone would shake off the weight of their burdens and be able to fly. Only a select few held onto remnants of the memory of flight.According to a legend in Hurston, the transgression, was eating salt.The Africans brought to Jamaica could all fly.They had never eaten salt.Those who ate salt after they arrived, stayed and became slaves because salt made them too heavy to fly.Those who did not partake, flew back to Africa. (Hurston 315).Whether Africans really fly or just escape a monumental burden, perhaps only through death, is a decision Toni Morrison has apparently left to her readers. Never the less, no matter what you believe, within Song of Solomon, the suggestion is, that in order to fly you must go back to the beginning, back to your roots.You must learn the art from the old messages. Denise Heinz explains, what she calls the Double Consciousness of Toni Morrison, as an endeavor to understand how self and identity are affected by society (Heinze 14).Everyone appears to be searching for an identity in Song of Solomon.Identities seem to be very transient and change with the whims of society.No one is who they appear to be and nothing is as it seems. Some of the characters never grasp their elusive identity.But then, they are afraid to reach too far back.If they should, they might not like what they find. So, they are content to continue in their less interesting, less challenging, much less introspective world. Song of Solomon is a scavenger hunt, with Milkman unearthing clues as he snatches up bits and pieces of wisdom that direct him to the treasure.Set deep within the black culture, the story begins in 1931 and moves quickly to the highly volatile sixties. In his quest for gold, Milkman uncovers the true treasure, his past.This knowledge unlocks the secret of his own identity.The ghosts of the past, explain the people of the present.In that instant, the secret of life becomes clear to him. The circumstances encompassing Milkmans birth gave every evidence of the inner turmoil that was to follow him throughout his life and seems to cast a foreboding cloud on his future.Macon Dead III seems doomed as he is born into a family as scattered and artificial as the very rose petals his mother dropped with her first labor pain. As the velvet petalsfloat to the ground, the insurance man spreads his wings and flies from Mercy.The flight is unsuccessful even though Pilate tries to sing him into the air.The death of Mr. Smith, and the confusion at Mercy (called No Mercy) Hospital allows Macon III to be the first black baby ever allowed to draw its first breath within those consecrated white halls. Baby Macon is brought home to Not Doctor Street, which is really Mains Ave.He begins his life in the house of Dead.For all intents and purposes, this dysfunctional family may as well be dead, for none of them have a life.A total lack of communication has effectively closed all the doors in the home, as each member seems to live within their own, small room. The real world is securely locked outside.No future, no past.To communicate would be to acknowledge the present.To acknowledge the present would mean accepting the past.Their names mirror their pathetic lives, even as they tell the story. Cathj EssayHagar feels she has no identity without Milkman.When Milkman casts her aside, she makes a desperate attempt to create an identity to induce him to love her again.Hagar tries to sculpt, what she feels, will be the perfect woman.She comes to the harsh realization that the image she sees in the mirror and the image reflected in Pilates and Rebas eyes, is vastly different.Hagar suddenly realizes, What if there is no me like my statue? (Hurston 581).Hagars link with the past is her graveyard love.This automatically condemns her. Guitar resents that Pilate has connected him with a past he despises, as she tries to get them out of jail and with that one look, the jeweled hatred in his eyes, (210) has exposed his inner self.Milkman, witnessing this, assigns a new and terrible identity to Guitar, as he realized that Guitar could kill, would kill, and probably had killed. (210).Guitar Baines bane is the destructive force and will have to be dealt with sooner or later.Guitar is so filled with greed, hate and death, he can not see the truth.When forced to confront his identity, he goes mad.His mind has become so twisted , he does not even realize he has crossed the line to insanity. Milkman begins his odyssey with Circe.He finds her living on a self-imposed island with her beasts, her pack of golden-eyed dogs, each of which had the intelligent childs eyes he had seen from the window (240).Circe then shows Milkman the path to the spirit of the cave, or underworld.This experience will lead him in the right direction for his homeward journey.He begins to trip over his roots and his quest changes direction.He has a long journey ahead, fraught with danger, before he can go home. In Shalimar, Virginia, the present begins to meld with the past:Solomon done fly, Solomon done goneSolomon cut across the sky, Solomon gone home.(302)Sugarman Shalimar ShaleemoneSolomon. They were all interchangeable, all one.Solomon had his own identity search, inadvertently carried on by his great grandson.His name was the key to the beginning.The gold no longer exists and the treasure is in Sing, and in Jake, a baby who fell from the sky, and in old bones and childrens games.The snuffbox could be returned to its proper place. Relieved of his vanities and reunited with his roots,Milkmans burdens could be cast off.Carrying with him, the message of the past, Milkman leaps into the air. When reading Song of Solomon, the reader acquires the feeling of being a very teeny person, walking into the middle of a very large rope that has been frayed at the end.Each strand is going off in its own direction, but at the same time, retains an imprint, a memory of where it belonged at one time.As you turn each page, the strands of the rope seem to converge in the distance.Soon they begin to twine and twist together.At the core, is a solid rope, with each strand braided neatly with the others to form a tightly woven story.With its many parts, but only one beginning,Song of Solomon is absolutely, the perfect soft-boiled egg (40). Works CitedAndrews, William L., et al.The Norton Anthology of African American Literature. New York: W.W. Norton ; Co., 1997.103Barnhart, C.L., et al.The American College Dictionary.New York: Random House, 1970.919Heinze, Denise.The Dilemma of Double-Consciousness: Toni Morrisons Novels. Athens:The University of Georgia Press, 1993.14Hurston, Zora Neale.Hurston: Folklore, Memoirs, other Writings.Ed. Cheryl A. Wall.New York: Penguin Books,1995.315, 581, 597, 618Morrison, Toni.Song of Solomon.New York:Penguin Books, 1977.